OUR TOP TEN FAVOURITE FILMS OF THE YEAR
DECEMBER 30, 2024
DECEMBER 30, 2024
(Netherlands - Memory Lane; Czechia - Waves; Romania - Three Kilometres to the End of the World)
Today we’re diving into our favourite movies of the year, and what a year it has been! The films we’ve had the privilege to watch have truly showcased one of the strongest lineups in recent memory. From gripping dramas to visually stunning epics and thought-provoking documentaries, this collection of films has been nothing short of extraordinary.
The journey of watching every single submission has been as rewarding as it has been moving. Each film brought its own unique perspective, offering us glimpses into different cultures, emotions, and stories that resonate on a deeply human level. Whether it was a tear-jerking performance, a breathtakingly beautiful shot, or a storyline that lingered in our thoughts long after the credits rolled, these movies reminded us why we fell in love with cinema in the first place.
Reflecting on this year’s films, we’re struck by their ability to challenge, inspire, and connect us all through the art of storytelling. It’s been a remarkable ride, and we can’t wait to share some of our top picks and celebrate the incredible artistry that made this year unforgettable.
We've narrowed it down to twenty movies and the following ten just missed our best of the best:
20. Julie Keeps Quiet (Belgium)
19. Memories of a Burning Body (Costa Rica)
18. Emilia Perez (France)
17. The Devil's Bath (Austria)
16. Memory Lane (Netherlands)
15. Come Closer (Israel)
14. Waves (Czechia)
13. Vermiglio (Italy)
12. Three Kilometres to the End of the World (Romania)
11. Universal Language (Canada)
The journey of watching every single submission has been as rewarding as it has been moving. Each film brought its own unique perspective, offering us glimpses into different cultures, emotions, and stories that resonate on a deeply human level. Whether it was a tear-jerking performance, a breathtakingly beautiful shot, or a storyline that lingered in our thoughts long after the credits rolled, these movies reminded us why we fell in love with cinema in the first place.
Reflecting on this year’s films, we’re struck by their ability to challenge, inspire, and connect us all through the art of storytelling. It’s been a remarkable ride, and we can’t wait to share some of our top picks and celebrate the incredible artistry that made this year unforgettable.
We've narrowed it down to twenty movies and the following ten just missed our best of the best:
20. Julie Keeps Quiet (Belgium)
19. Memories of a Burning Body (Costa Rica)
18. Emilia Perez (France)
17. The Devil's Bath (Austria)
16. Memory Lane (Netherlands)
15. Come Closer (Israel)
14. Waves (Czechia)
13. Vermiglio (Italy)
12. Three Kilometres to the End of the World (Romania)
11. Universal Language (Canada)
10. MY SWEET LAND (JORDAN)
“What’s going to happen to me? Am I going to live?”
My Sweet Land, directed by Sareen Hairabedian, is a breathtaking and deeply moving documentary that transcends the boundaries of traditional filmmaking to deliver a powerful and intimate portrayal of life in the war-torn Republic of Artsakh. Set against the backdrop of a nation grappling with existential threats, this film provides an unparalleled glimpse into the emotional and psychological landscape of its people, most poignantly through the eyes of its young protagonist, Vrej. Hairabedian’s masterful storytelling and empathetic cinéma vérité style allow us to step into a world that is both foreign and universal, where hope and resilience shine through even in the darkest of times.
At the heart of My Sweet Land is Vrej, an eleven-year-old boy whose dream of becoming a dentist becomes a symbol of hope amidst the chaos of war. Through his eyes, we experience life in Artsakh, from moments of childlike innocence to the harsh reality of preparing for conflict. The decision to center the film around Vrej is brilliant, as his personal journey offers a deeply relatable anchor for the audience. His resilience, determination, and quiet strength remind us that even in the most dire circumstances, the human spirit can endure and dream of a brighter future.
The film’s cinematography is simply stunning, with sweeping shots of Artsakh’s landscapes juxtaposed with the close, intimate moments of Vrej’s life. Hairabedian’s ability to capture both the beauty and the tension of the region is nothing short of remarkable. From peaceful scenes of boys playing in vineyards to the unsettling sight of children being trained in military exercises, the film strikes a delicate balance between peace and conflict, offering a nuanced view of life in a region perpetually on the brink of war. The imagery lingers long after the credits roll, leaving the viewer with a profound sense of place and a deeper understanding of the human cost of conflict.
What truly sets My Sweet Land apart, however, is its emotional depth. Hairabedian, who has Armenian roots herself, brings a personal connection to the story that permeates every frame. Her compassion and dedication to telling this story are evident in the way she weaves together the lives of Vrej, his family, and the people of Artsakh, creating a tapestry of resilience and love for their homeland. The film not only sheds light on the physical and emotional toll of war but also highlights the enduring bonds of family and community that give Vrej and others the strength to persevere.
My Sweet Land is a cinematic triumph. It is a film that moves the heart, challenges the mind, and reminds us of the importance of home, dreams, and the power of the human spirit. Sareen Hairabedian’s delicate yet impactful direction, combined with Vrej’s captivating story, makes this a must-watch documentary. It stands as both a tribute to the people of Artsakh and a universal call for peace and empathy in a world too often consumed by conflict. This is not just a film, it’s a powerful reminder of the resilience of humanity.
My Sweet Land, directed by Sareen Hairabedian, is a breathtaking and deeply moving documentary that transcends the boundaries of traditional filmmaking to deliver a powerful and intimate portrayal of life in the war-torn Republic of Artsakh. Set against the backdrop of a nation grappling with existential threats, this film provides an unparalleled glimpse into the emotional and psychological landscape of its people, most poignantly through the eyes of its young protagonist, Vrej. Hairabedian’s masterful storytelling and empathetic cinéma vérité style allow us to step into a world that is both foreign and universal, where hope and resilience shine through even in the darkest of times.
At the heart of My Sweet Land is Vrej, an eleven-year-old boy whose dream of becoming a dentist becomes a symbol of hope amidst the chaos of war. Through his eyes, we experience life in Artsakh, from moments of childlike innocence to the harsh reality of preparing for conflict. The decision to center the film around Vrej is brilliant, as his personal journey offers a deeply relatable anchor for the audience. His resilience, determination, and quiet strength remind us that even in the most dire circumstances, the human spirit can endure and dream of a brighter future.
The film’s cinematography is simply stunning, with sweeping shots of Artsakh’s landscapes juxtaposed with the close, intimate moments of Vrej’s life. Hairabedian’s ability to capture both the beauty and the tension of the region is nothing short of remarkable. From peaceful scenes of boys playing in vineyards to the unsettling sight of children being trained in military exercises, the film strikes a delicate balance between peace and conflict, offering a nuanced view of life in a region perpetually on the brink of war. The imagery lingers long after the credits roll, leaving the viewer with a profound sense of place and a deeper understanding of the human cost of conflict.
What truly sets My Sweet Land apart, however, is its emotional depth. Hairabedian, who has Armenian roots herself, brings a personal connection to the story that permeates every frame. Her compassion and dedication to telling this story are evident in the way she weaves together the lives of Vrej, his family, and the people of Artsakh, creating a tapestry of resilience and love for their homeland. The film not only sheds light on the physical and emotional toll of war but also highlights the enduring bonds of family and community that give Vrej and others the strength to persevere.
My Sweet Land is a cinematic triumph. It is a film that moves the heart, challenges the mind, and reminds us of the importance of home, dreams, and the power of the human spirit. Sareen Hairabedian’s delicate yet impactful direction, combined with Vrej’s captivating story, makes this a must-watch documentary. It stands as both a tribute to the people of Artsakh and a universal call for peace and empathy in a world too often consumed by conflict. This is not just a film, it’s a powerful reminder of the resilience of humanity.
9. THE LAST JOURNEY (SWEDEN)
“Can’t we stay a little longer?”
The Last Journey is a beautifully crafted and emotionally resonant documentary that captures a heartfelt and humorous road trip across Europe. Filmmakers Filip Hammar and Fredrik Wikingsson take audiences on a journey with Filip's elderly father, Lars, in an effort to rekindle his zest for life. With a mix of nostalgia, comedy, and gentle reflections on aging, this Swedish film delves into the challenges of caring for an aging parent while reconnecting with cherished family traditions. This life-affirming documentary is a celebration of love, memory, and the significance of family bonds, creating a deeply relatable experience.
At the heart of The Last Journey is the charming Lars Hammar, a retired French teacher whose love for French culture defined his life and career. Known for his vibrant teaching style, Lars once inspired generations of students by bringing Gallic traditions into the classroom. Yet after retirement, he finds himself unmotivated and weary, facing the melancholy that often comes with aging. Filip’s decision to take his father on a journey to Beaulieu-sur-Mer, their family’s favorite holiday spot on the French Riviera, unlocks memories and brings Lars back to his passions, revealing his humor and wisdom in moments of vulnerability.
The road trip itself is filled with lighthearted moments that allow the film’s cinematography to shine. The scenic French landscapes, autumnal colors, and cozy European towns are captured beautifully, creating a backdrop for the father-son duo’s banter and shared memories. From the slow-moving Renault 4 to the lively interactions with locals, every scene is infused with both humor and nostalgia. The film’s soundtrack, featuring French classics by Georges Brassens and Jacques Brel, adds another layer of warmth, perfectly complementing the story’s sentimental tone.
What makes The Last Journey truly special is the way it balances humor with profound insights on life and aging. Lars’ candid conversations with his son about growing old, loss, and mortality are both touching and wise, revealing a pragmatic acceptance of life’s inevitable transitions. Filip’s desire to “fix” his father’s depression by recreating the past speaks to the universal struggle of children trying to keep their parents young, if only for a little while longer. These moments resonate on a deep level, inviting viewers to reflect on their own relationships with aging family members.
In its blend of comedy, warmth, and gentle introspection, The Last Journey stands as a powerful tribute to the bonds between parent and child. Filip and Fredrik’s unique touch as storytellers makes this journey engaging, heartfelt, and memorable. The film’s universal themes, touching narrative, and Lars’ endearing character ensure that it will leave audiences both laughing and reflecting on the people they cherish. The Last Journey is a celebration of life’s fleeting beauty, and it’s a cinematic experience that lingers long after the credits roll.
The Last Journey is a beautifully crafted and emotionally resonant documentary that captures a heartfelt and humorous road trip across Europe. Filmmakers Filip Hammar and Fredrik Wikingsson take audiences on a journey with Filip's elderly father, Lars, in an effort to rekindle his zest for life. With a mix of nostalgia, comedy, and gentle reflections on aging, this Swedish film delves into the challenges of caring for an aging parent while reconnecting with cherished family traditions. This life-affirming documentary is a celebration of love, memory, and the significance of family bonds, creating a deeply relatable experience.
At the heart of The Last Journey is the charming Lars Hammar, a retired French teacher whose love for French culture defined his life and career. Known for his vibrant teaching style, Lars once inspired generations of students by bringing Gallic traditions into the classroom. Yet after retirement, he finds himself unmotivated and weary, facing the melancholy that often comes with aging. Filip’s decision to take his father on a journey to Beaulieu-sur-Mer, their family’s favorite holiday spot on the French Riviera, unlocks memories and brings Lars back to his passions, revealing his humor and wisdom in moments of vulnerability.
The road trip itself is filled with lighthearted moments that allow the film’s cinematography to shine. The scenic French landscapes, autumnal colors, and cozy European towns are captured beautifully, creating a backdrop for the father-son duo’s banter and shared memories. From the slow-moving Renault 4 to the lively interactions with locals, every scene is infused with both humor and nostalgia. The film’s soundtrack, featuring French classics by Georges Brassens and Jacques Brel, adds another layer of warmth, perfectly complementing the story’s sentimental tone.
What makes The Last Journey truly special is the way it balances humor with profound insights on life and aging. Lars’ candid conversations with his son about growing old, loss, and mortality are both touching and wise, revealing a pragmatic acceptance of life’s inevitable transitions. Filip’s desire to “fix” his father’s depression by recreating the past speaks to the universal struggle of children trying to keep their parents young, if only for a little while longer. These moments resonate on a deep level, inviting viewers to reflect on their own relationships with aging family members.
In its blend of comedy, warmth, and gentle introspection, The Last Journey stands as a powerful tribute to the bonds between parent and child. Filip and Fredrik’s unique touch as storytellers makes this journey engaging, heartfelt, and memorable. The film’s universal themes, touching narrative, and Lars’ endearing character ensure that it will leave audiences both laughing and reflecting on the people they cherish. The Last Journey is a celebration of life’s fleeting beauty, and it’s a cinematic experience that lingers long after the credits roll.
8. FLOW (LATVIA)
Flow, the second feature by visionary Latvian director Gints Zilbalodis, is a mesmerizing animated survival adventure that captivates with its vivid visuals and emotional depth. Following the journey of a lone black cat in a world abandoned by humans, the film draws the audience into a breathtaking and immersive experience. The story is told entirely without dialogue, but through Zilbalodis’ skillful animation and richly detailed landscapes, it speaks volumes about resilience, connection, and the delicate balance between independence and community. At just under 90 minutes, the film’s tight pacing keeps viewers enthralled while still allowing moments of quiet reflection and awe.
The world of Flow is strikingly crafted, blending the painterly beauty of photo-realistic environments with charming, cartoon-like animal characters. Zilbalodis’ visual style, inspired by the works of Hayao Miyazaki and Danish artist Peder Mørk Mønsted, is nothing short of stunning. The film’s landscapes shimmer with vibrant textures, whether in dense forests, vast bodies of water, or ancient ruins. While the animals don’t speak, their personalities shine through expressive animation, particularly the cat, whose large, luminous eyes convey both vulnerability and strength. This silent narrative, though simple in its themes, resonates on a deep emotional level, as the cat gradually evolves from a solitary survivor to a trusted member of a motley crew of animals.
The thematic heart of Flow lies in its exploration of trust, friendship, and the importance of cooperation in a perilous world. The film’s titular concept of "flow" is masterfully woven into the narrative, illustrating the cat’s journey of learning to adapt and rely on others. From a tense opening chase with a pack of dogs to the life-threatening flood that follows, the cat’s brushes with danger are many, but each encounter brings new companions, from a capybara to a curious lemur, who help guide it toward a more communal existence. The film’s portrayal of interspecies camaraderie offers a touching lesson for both children and adults about the give-and-take of relationships.
Flow centers on the themes of survival, connection, and adaptation. At its core, the film explores the balance between independence and the necessity of relying on others, as seen through the journey of a lone cat navigating a post-human world. Flow touches on humanity’s relationship with nature, symbolized by the cat’s evolving role within the ecosystem. The absence of humans hints at the fragility of civilization, possibly alluding to themes like climate change or environmental destruction, though these are left open to interpretation. The film encourages viewers to embrace the natural flow of life, finding harmony with the world around them while learning to trust and connect with others along the way.
Flow is a triumph of artistic storytelling, proving that Zilbalodis is a unique talent in the world of animation. Its quiet, meditative narrative is both heartfelt and visually arresting, drawing viewers into an unforgettable journey of survival, trust, and the power of community. Whether you're a fan of animation, an animal lover, or simply appreciate a beautifully crafted story, Flow is a film that will leave you mesmerized and moved, making it a must-watch for audiences of all ages.
The world of Flow is strikingly crafted, blending the painterly beauty of photo-realistic environments with charming, cartoon-like animal characters. Zilbalodis’ visual style, inspired by the works of Hayao Miyazaki and Danish artist Peder Mørk Mønsted, is nothing short of stunning. The film’s landscapes shimmer with vibrant textures, whether in dense forests, vast bodies of water, or ancient ruins. While the animals don’t speak, their personalities shine through expressive animation, particularly the cat, whose large, luminous eyes convey both vulnerability and strength. This silent narrative, though simple in its themes, resonates on a deep emotional level, as the cat gradually evolves from a solitary survivor to a trusted member of a motley crew of animals.
The thematic heart of Flow lies in its exploration of trust, friendship, and the importance of cooperation in a perilous world. The film’s titular concept of "flow" is masterfully woven into the narrative, illustrating the cat’s journey of learning to adapt and rely on others. From a tense opening chase with a pack of dogs to the life-threatening flood that follows, the cat’s brushes with danger are many, but each encounter brings new companions, from a capybara to a curious lemur, who help guide it toward a more communal existence. The film’s portrayal of interspecies camaraderie offers a touching lesson for both children and adults about the give-and-take of relationships.
Flow centers on the themes of survival, connection, and adaptation. At its core, the film explores the balance between independence and the necessity of relying on others, as seen through the journey of a lone cat navigating a post-human world. Flow touches on humanity’s relationship with nature, symbolized by the cat’s evolving role within the ecosystem. The absence of humans hints at the fragility of civilization, possibly alluding to themes like climate change or environmental destruction, though these are left open to interpretation. The film encourages viewers to embrace the natural flow of life, finding harmony with the world around them while learning to trust and connect with others along the way.
Flow is a triumph of artistic storytelling, proving that Zilbalodis is a unique talent in the world of animation. Its quiet, meditative narrative is both heartfelt and visually arresting, drawing viewers into an unforgettable journey of survival, trust, and the power of community. Whether you're a fan of animation, an animal lover, or simply appreciate a beautifully crafted story, Flow is a film that will leave you mesmerized and moved, making it a must-watch for audiences of all ages.
7. ABANG ADIK (MALAYSIA)
"Next time, let me be the older brother and protect you."
Jin Ong’s Abang Adik is a powerful exploration of brotherhood and survival, set against the gritty backdrop of Kuala Lumpur’s Pasar Pudu district. With its evocative storytelling and raw, emotional performances, this neo-realist drama transcends clichés to deliver a profound message about identity, resilience, and the human spirit. Anchored by the dynamic performances of Wu Kang-ren and Jack Tan, Abang Adik is a deeply affecting debut feature that boldly tackles themes of statelessness and inequality while celebrating the strength of familial bonds.
At the heart of the film is the touching relationship between Abang, a hardworking and deaf-mute meatcutter, and his younger, free-spirited brother, Adik. Their contrasting personalities—Abang’s quiet determination and Adik’s rebellious streak—create a compelling dynamic that is both heartwarming and heart-wrenching. Through tender moments, such as their playful ritual of cracking hard-boiled eggs on each other's heads, and their deeply personal conversations in sign language and words, Ong paints a vivid picture of their mutual dependence and unwavering love. It is this bond that gives the film its emotional core, as the brothers navigate a world that constantly tests their resilience.
Ong’s direction masterfully blends gritty realism with poetic beauty, vividly capturing the struggles of the stateless and marginalized. Indian cinematographer Kartik Vijay’s work stands out, with his stunning use of warm earth tones and shadowy compositions that bring the bustling yet decaying Pasar Pudu district to life. The film’s immersive visuals, paired with Ryota Katayama and Wen Hung’s hauntingly sparse score, create a sense of place and mood that lingers long after the credits roll. Whether in moments of quiet intimacy or high-stakes suspense, the film’s aesthetics amplify its themes of fragility and hope.
Midway through the film, the narrative takes a gripping turn into thriller territory, raising the stakes for the brothers and testing the limits of their bond. This shift, marked by tense silences and atmospheric lighting, demonstrates Ong’s skill as both a storyteller and a visual stylist. Despite this tonal change, the film never loses sight of its emotional grounding. Wu Kang-ren’s subtle yet powerful performance as Abang culminates in a moving monologue delivered in sign language, while Jack Tan captures Adik’s mix of bravado and vulnerability with remarkable authenticity.
Abang Adik is a striking debut that cements Jin Ong as a bold new voice in Malaysian cinema. By weaving a deeply personal story within a broader social context, Ong delivers a film that is as thought-provoking as it is emotionally resonant. The plight of stateless individuals, the harsh realities of poverty, and the enduring power of brotherly love converge in a narrative that is as unforgettable as it is important. This is a film that deserves to be seen, discussed, and celebrated.
Jin Ong’s Abang Adik is a powerful exploration of brotherhood and survival, set against the gritty backdrop of Kuala Lumpur’s Pasar Pudu district. With its evocative storytelling and raw, emotional performances, this neo-realist drama transcends clichés to deliver a profound message about identity, resilience, and the human spirit. Anchored by the dynamic performances of Wu Kang-ren and Jack Tan, Abang Adik is a deeply affecting debut feature that boldly tackles themes of statelessness and inequality while celebrating the strength of familial bonds.
At the heart of the film is the touching relationship between Abang, a hardworking and deaf-mute meatcutter, and his younger, free-spirited brother, Adik. Their contrasting personalities—Abang’s quiet determination and Adik’s rebellious streak—create a compelling dynamic that is both heartwarming and heart-wrenching. Through tender moments, such as their playful ritual of cracking hard-boiled eggs on each other's heads, and their deeply personal conversations in sign language and words, Ong paints a vivid picture of their mutual dependence and unwavering love. It is this bond that gives the film its emotional core, as the brothers navigate a world that constantly tests their resilience.
Ong’s direction masterfully blends gritty realism with poetic beauty, vividly capturing the struggles of the stateless and marginalized. Indian cinematographer Kartik Vijay’s work stands out, with his stunning use of warm earth tones and shadowy compositions that bring the bustling yet decaying Pasar Pudu district to life. The film’s immersive visuals, paired with Ryota Katayama and Wen Hung’s hauntingly sparse score, create a sense of place and mood that lingers long after the credits roll. Whether in moments of quiet intimacy or high-stakes suspense, the film’s aesthetics amplify its themes of fragility and hope.
Midway through the film, the narrative takes a gripping turn into thriller territory, raising the stakes for the brothers and testing the limits of their bond. This shift, marked by tense silences and atmospheric lighting, demonstrates Ong’s skill as both a storyteller and a visual stylist. Despite this tonal change, the film never loses sight of its emotional grounding. Wu Kang-ren’s subtle yet powerful performance as Abang culminates in a moving monologue delivered in sign language, while Jack Tan captures Adik’s mix of bravado and vulnerability with remarkable authenticity.
Abang Adik is a striking debut that cements Jin Ong as a bold new voice in Malaysian cinema. By weaving a deeply personal story within a broader social context, Ong delivers a film that is as thought-provoking as it is emotionally resonant. The plight of stateless individuals, the harsh realities of poverty, and the enduring power of brotherly love converge in a narrative that is as unforgettable as it is important. This is a film that deserves to be seen, discussed, and celebrated.
6. SUJO (MEXICO)
"Do you think people can change their life?"
Mexican filmmakers Fernanda Valadez and Astrid Rondero have once again demonstrated their extraordinary ability to confront the darkest corners of their country’s reality with Sujo, a breathtaking and emotionally charged follow-up to their award-winning Identifying Features. Shifting focus from victims of violence to its perpetrators, Sujo tells the harrowing yet deeply empathetic story of a boy born into a cartel legacy, exploring how systemic poverty and generational trauma shape the lives of those society often condemns. With its lyrical storytelling and poetic visuals, Sujo cements Valadez and Rondero as leading voices in contemporary cinema.
The story follows Sujo, born Josué, a boy orphaned at the age of four after his father, a cartel sicario known as “El Ocho,” is killed. Raised in isolation by his stern but protective aunt Nemesia, Sujo grows up shielded from the violent world of his origins but burdened by its shadow. As he enters adolescence, the pull of his father’s blood-soaked legacy and the lure of cartel life threaten to consume him. Through Sujo’s journey, Valadez and Rondero pose profound questions: Why do so many young men feel there is no way out of their circumstances? And how much agency do they truly have in shaping their lives? These inquiries, woven into a narrative steeped in symbolism and compassion, elevate Sujo beyond mere social commentary to a work of profound humanism.
Sujo is a triumph of delicate artistry. Cinematographer Ximena Amann captures the rugged beauty of Michoacán with breathtaking compositions that balance naturalism and ethereality. The sunlit landscapes, often caressed by overgrown foliage, transform the rural settings into spaces both haunted and alive with possibility. Ghosts of the past walk among the living, appearing not in shadow but in daylight, reinforcing the film’s spiritual undertones. These supernatural elements, seamlessly integrated into the narrative, reflect Nemesia’s belief in a primordial state of innocence—a poignant contrast to the corruption that surrounds Sujo. This visual and thematic layering underscores the film’s central tension between despair and redemption.
The performances are equally compelling, particularly Juan Jesús Varela’s dual portrayal of Sujo and his father, El Ocho. This casting choice deepens the film’s exploration of inherited cycles of violence, as Varela’s restrained, haunting presence embodies both the legacy of destruction and the hope for change. Sujo’s character arc, shaped by the women around him—Nemesia’s austere protection and the mentorship of Susan, a literature professor he meets in Mexico City—offers a glimmer of hope without falling into sentimentality. These women, with their quiet strength and unwavering care, provide Sujo with paths to a life beyond the one dictated by his origins, making his struggle for identity and purpose deeply affecting.
At once heartbreaking and hopeful, Sujo is a lyrical masterpiece that reframes narratives of violence in Mexican cinema with unmatched empathy and artistry. By focusing on the human stories behind systemic despair, Valadez and Rondero challenge us to see beyond stereotypes and confront the forces that perpetuate suffering. With its stunning visuals, powerful performances, and profound thematic depth, Sujo not only solidifies the directors as rising stars of world cinema but also offers a vital meditation on resilience, redemption, and the enduring power of compassion.
Mexican filmmakers Fernanda Valadez and Astrid Rondero have once again demonstrated their extraordinary ability to confront the darkest corners of their country’s reality with Sujo, a breathtaking and emotionally charged follow-up to their award-winning Identifying Features. Shifting focus from victims of violence to its perpetrators, Sujo tells the harrowing yet deeply empathetic story of a boy born into a cartel legacy, exploring how systemic poverty and generational trauma shape the lives of those society often condemns. With its lyrical storytelling and poetic visuals, Sujo cements Valadez and Rondero as leading voices in contemporary cinema.
The story follows Sujo, born Josué, a boy orphaned at the age of four after his father, a cartel sicario known as “El Ocho,” is killed. Raised in isolation by his stern but protective aunt Nemesia, Sujo grows up shielded from the violent world of his origins but burdened by its shadow. As he enters adolescence, the pull of his father’s blood-soaked legacy and the lure of cartel life threaten to consume him. Through Sujo’s journey, Valadez and Rondero pose profound questions: Why do so many young men feel there is no way out of their circumstances? And how much agency do they truly have in shaping their lives? These inquiries, woven into a narrative steeped in symbolism and compassion, elevate Sujo beyond mere social commentary to a work of profound humanism.
Sujo is a triumph of delicate artistry. Cinematographer Ximena Amann captures the rugged beauty of Michoacán with breathtaking compositions that balance naturalism and ethereality. The sunlit landscapes, often caressed by overgrown foliage, transform the rural settings into spaces both haunted and alive with possibility. Ghosts of the past walk among the living, appearing not in shadow but in daylight, reinforcing the film’s spiritual undertones. These supernatural elements, seamlessly integrated into the narrative, reflect Nemesia’s belief in a primordial state of innocence—a poignant contrast to the corruption that surrounds Sujo. This visual and thematic layering underscores the film’s central tension between despair and redemption.
The performances are equally compelling, particularly Juan Jesús Varela’s dual portrayal of Sujo and his father, El Ocho. This casting choice deepens the film’s exploration of inherited cycles of violence, as Varela’s restrained, haunting presence embodies both the legacy of destruction and the hope for change. Sujo’s character arc, shaped by the women around him—Nemesia’s austere protection and the mentorship of Susan, a literature professor he meets in Mexico City—offers a glimmer of hope without falling into sentimentality. These women, with their quiet strength and unwavering care, provide Sujo with paths to a life beyond the one dictated by his origins, making his struggle for identity and purpose deeply affecting.
At once heartbreaking and hopeful, Sujo is a lyrical masterpiece that reframes narratives of violence in Mexican cinema with unmatched empathy and artistry. By focusing on the human stories behind systemic despair, Valadez and Rondero challenge us to see beyond stereotypes and confront the forces that perpetuate suffering. With its stunning visuals, powerful performances, and profound thematic depth, Sujo not only solidifies the directors as rising stars of world cinema but also offers a vital meditation on resilience, redemption, and the enduring power of compassion.
5. BAURYNA SALU (KAZAKHSTAN)
“May everything go well for you in your new home.”
Bauryna Salu, the directorial debut of Kazakh filmmaker Ashkat Kuchinchirekov, is a deeply moving and visually stunning exploration of tradition, family, and identity. Drawing from his own childhood experiences, Kuchinchirekov presents a sensitive portrayal of 12-year-old Yersultan, a boy raised by his grandmother in a rural Kazakh village, who is forced to return to his estranged parents after her death. The film captures the emotional complexities of Yersultan’s journey with remarkable nuance, offering both a poignant coming-of-age story and a subtle critique of the Kazakh tradition of bauryna salu, in which newborns are given to relatives to raise.
The film immerses the viewer in the harsh yet beautiful world of rural Kazakhstan. The cinematography is breathtaking, with long, patient shots that highlight the rugged landscapes and everyday life in the village. The contrast between the warm, earthy tones of Yersultan’s life with his grandmother and the cold, desolate blues of winter after her death serves as a powerful visual metaphor for the boy's emotional journey. Kuchinchirekov's decision to avoid romanticizing the rural setting lends the film an authenticity that enhances its emotional impact.
At the heart of Bauryna Salu is Yersultan's complex relationship with his family. The film masterfully explores the boy’s feelings of abandonment and isolation, particularly as he struggles to connect with his distant father and adjust to life with his younger sibling. Yersultan Yermanov, who plays the lead, delivers a performance of astounding depth, especially in the film’s most heartbreaking moments, such as the close-up of his grief-stricken face after his grandmother’s death. His subtle expressions convey a profound sense of loss and yearning, making it impossible not to empathize with his plight.
What sets Bauryna Salu apart is its delicate balance between ethnographic detail and universal themes. While the film offers a critical lens on the tradition of bauryna salu, it does so with sensitivity, never reducing the characters to mere symbols. Instead, Kuchinchirekov builds empathy for Yersultan and his family, portraying them as individuals caught between tradition and their personal struggles. This allows the film to resonate not only with Kazakh audiences but also with viewers worldwide, who can relate to the themes of loss, identity, and the desire for familial love.
Bauryna Salu is an impressive and emotionally resonant debut from a director with a unique voice. Kuchinchirekov’s thoughtful storytelling, combined with the film’s stunning visual composition and powerful performances, creates a deeply affecting cinematic experience. The film’s quiet strength lies in its ability to weave together the personal and the cultural, offering a rich, layered narrative that lingers long after the credits roll. Bauryna Salu is not just a story about one boy’s journey, it is a film that speaks to universal human experiences, making it a must-see for everyone.
Bauryna Salu, the directorial debut of Kazakh filmmaker Ashkat Kuchinchirekov, is a deeply moving and visually stunning exploration of tradition, family, and identity. Drawing from his own childhood experiences, Kuchinchirekov presents a sensitive portrayal of 12-year-old Yersultan, a boy raised by his grandmother in a rural Kazakh village, who is forced to return to his estranged parents after her death. The film captures the emotional complexities of Yersultan’s journey with remarkable nuance, offering both a poignant coming-of-age story and a subtle critique of the Kazakh tradition of bauryna salu, in which newborns are given to relatives to raise.
The film immerses the viewer in the harsh yet beautiful world of rural Kazakhstan. The cinematography is breathtaking, with long, patient shots that highlight the rugged landscapes and everyday life in the village. The contrast between the warm, earthy tones of Yersultan’s life with his grandmother and the cold, desolate blues of winter after her death serves as a powerful visual metaphor for the boy's emotional journey. Kuchinchirekov's decision to avoid romanticizing the rural setting lends the film an authenticity that enhances its emotional impact.
At the heart of Bauryna Salu is Yersultan's complex relationship with his family. The film masterfully explores the boy’s feelings of abandonment and isolation, particularly as he struggles to connect with his distant father and adjust to life with his younger sibling. Yersultan Yermanov, who plays the lead, delivers a performance of astounding depth, especially in the film’s most heartbreaking moments, such as the close-up of his grief-stricken face after his grandmother’s death. His subtle expressions convey a profound sense of loss and yearning, making it impossible not to empathize with his plight.
What sets Bauryna Salu apart is its delicate balance between ethnographic detail and universal themes. While the film offers a critical lens on the tradition of bauryna salu, it does so with sensitivity, never reducing the characters to mere symbols. Instead, Kuchinchirekov builds empathy for Yersultan and his family, portraying them as individuals caught between tradition and their personal struggles. This allows the film to resonate not only with Kazakh audiences but also with viewers worldwide, who can relate to the themes of loss, identity, and the desire for familial love.
Bauryna Salu is an impressive and emotionally resonant debut from a director with a unique voice. Kuchinchirekov’s thoughtful storytelling, combined with the film’s stunning visual composition and powerful performances, creates a deeply affecting cinematic experience. The film’s quiet strength lies in its ability to weave together the personal and the cultural, offering a rich, layered narrative that lingers long after the credits roll. Bauryna Salu is not just a story about one boy’s journey, it is a film that speaks to universal human experiences, making it a must-see for everyone.
4. KNEECAP (IRELAND)
“Every word of Irish spoken is a bullet fired for Irish freedom.”
Kneecap stands out as an energetic and heartfelt origin story, blending authenticity with a strong political edge. The choice to depict real-life band members playing themselves adds a genuine layer to the narrative, making their rise from local obscurity to fame all the more compelling.
The film kicks off by immersing us in the gritty realities of two young men, Naoise and Liam. Naoise’s father is an IRA militant who is suddenly forced to disappear from his son’s life, leaving his family in disarray. Liam’s family is never brought up. Liam and Naoise navigate a rough path, dealing with the perils of drug use, local conflicts, and run-ins with the police. Their lives take a pivotal turn however when they encounter a local music teacher, DJ Provai, who stumbles upon their book of Irish hip-hop lyrics.
Recognizing the raw potential in their work, DJ Provai persuades them to collaborate, using his skills to create beats that complement their lyrics. As the trio works together in the studio, the influence of stimulants brings a frenetic energy to their music, leading to the creation of some electrifying tracks. Their band Kneecap has thus been formed. This pivotal moment marks the beginning of the band's journey from local troublemakers to rising stars, setting the stage for their transformative experience in the music world.
The film's focus on the significance of preserving the Irish language as an act of cultural resistance is both timely and relevant. By merging humor with poignant moments, Kneecap manages to address serious issues without losing its irreverent charm. This balance makes the film not only a celebration of music and friendship but also a meaningful commentary on the complexities of Northern Irish identity in the post-conflict era.
Liam names the group Kneecap after the infamous punitive torture technique common in Northern Ireland during the late 1960s to 1998. Their name underscores the group's connection to the region's turbulent history and their own rebellious spirit. It hints at the idea that personal and collective identities are not fully realized until they are acknowledged and validated by others or by oneself. Stories are built from language. Nations are built from stories. And this is their story.
Kneecap stands out as an energetic and heartfelt origin story, blending authenticity with a strong political edge. The choice to depict real-life band members playing themselves adds a genuine layer to the narrative, making their rise from local obscurity to fame all the more compelling.
The film kicks off by immersing us in the gritty realities of two young men, Naoise and Liam. Naoise’s father is an IRA militant who is suddenly forced to disappear from his son’s life, leaving his family in disarray. Liam’s family is never brought up. Liam and Naoise navigate a rough path, dealing with the perils of drug use, local conflicts, and run-ins with the police. Their lives take a pivotal turn however when they encounter a local music teacher, DJ Provai, who stumbles upon their book of Irish hip-hop lyrics.
Recognizing the raw potential in their work, DJ Provai persuades them to collaborate, using his skills to create beats that complement their lyrics. As the trio works together in the studio, the influence of stimulants brings a frenetic energy to their music, leading to the creation of some electrifying tracks. Their band Kneecap has thus been formed. This pivotal moment marks the beginning of the band's journey from local troublemakers to rising stars, setting the stage for their transformative experience in the music world.
The film's focus on the significance of preserving the Irish language as an act of cultural resistance is both timely and relevant. By merging humor with poignant moments, Kneecap manages to address serious issues without losing its irreverent charm. This balance makes the film not only a celebration of music and friendship but also a meaningful commentary on the complexities of Northern Irish identity in the post-conflict era.
Liam names the group Kneecap after the infamous punitive torture technique common in Northern Ireland during the late 1960s to 1998. Their name underscores the group's connection to the region's turbulent history and their own rebellious spirit. It hints at the idea that personal and collective identities are not fully realized until they are acknowledged and validated by others or by oneself. Stories are built from language. Nations are built from stories. And this is their story.
3. THE SEED OF THE SACRED FIG (GERMANY)
"They're just normal people who want a normal life and freedom."
Mohammad Rasoulof’s The Seed of the Sacred Fig is a poignant and thought-provoking exploration of familial tension and societal unrest in contemporary Iran. The film revolves around Iman, a magistrate whose loss of his service weapon coincides with widespread protests sparked by the tragic death of Mahsa Amini. This singular event not only threatens Iman’s professional stability but also unravels the delicate fabric of his family life. Rasoulof’s ability to weave the personal and political into a seamless narrative underscores his mastery as a storyteller, creating a film that is as emotionally resonant as it is socially incisive.
The performances are a standout feature, especially Sohelia Golestani as Najmeh, whose character undergoes a transformative arc. Golestani captures the nuances of a wife torn between her loyalty to her husband and her growing alignment with her daughters' rebellion against authoritarianism. The daughters, Rezvan and Sana, embody the generational shift toward defiance and hope, making their characters relatable and symbolic of a broader cultural movement. Each actor brings a rawness and authenticity to their roles, ensuring the family dynamics feel intimate and impactful.
The film excels in portraying both the physical and emotional landscapes of its characters. Rasoulof contrasts the claustrophobic urban sprawl of Tehran with the rural expanses of Iman’s childhood home, using these settings to mirror the internal and external conflicts. The integration of real protest footage lends the film a harrowing immediacy, grounding its fictional narrative in the stark realities of contemporary Iranian life. The cinematography, combined with a carefully constructed soundscape, amplifies the tension, immersing the audience in a world where every moment is charged with unease and unpredictability.
What makes The Seed of the Sacred Fig especially powerful is its layered symbolism. The disappearance of Iman’s gun serves as a metaphor for the waning control of patriarchal and authoritarian systems. This theme reverberates through the family’s unraveling relationships and the broader societal shifts occurring outside their home. Rasoulof’s subtle but sharp critique of systemic oppression invites viewers to reflect on the intersections of personal agency and political resistance, making the film deeply relevant in a global context.
The Seed of the Sacred Fig is a triumph of courageous storytelling. Rasoulof’s commitment to illuminating the struggles of those living under oppressive regimes, even at great personal risk, is both inspiring and sobering. The film’s combination of compelling performances, arresting visuals, and incisive social commentary solidifies its place as a landmark in contemporary cinema, resonating far beyond Iran’s borders as a universal call for freedom and justice.
Mohammad Rasoulof’s The Seed of the Sacred Fig is a poignant and thought-provoking exploration of familial tension and societal unrest in contemporary Iran. The film revolves around Iman, a magistrate whose loss of his service weapon coincides with widespread protests sparked by the tragic death of Mahsa Amini. This singular event not only threatens Iman’s professional stability but also unravels the delicate fabric of his family life. Rasoulof’s ability to weave the personal and political into a seamless narrative underscores his mastery as a storyteller, creating a film that is as emotionally resonant as it is socially incisive.
The performances are a standout feature, especially Sohelia Golestani as Najmeh, whose character undergoes a transformative arc. Golestani captures the nuances of a wife torn between her loyalty to her husband and her growing alignment with her daughters' rebellion against authoritarianism. The daughters, Rezvan and Sana, embody the generational shift toward defiance and hope, making their characters relatable and symbolic of a broader cultural movement. Each actor brings a rawness and authenticity to their roles, ensuring the family dynamics feel intimate and impactful.
The film excels in portraying both the physical and emotional landscapes of its characters. Rasoulof contrasts the claustrophobic urban sprawl of Tehran with the rural expanses of Iman’s childhood home, using these settings to mirror the internal and external conflicts. The integration of real protest footage lends the film a harrowing immediacy, grounding its fictional narrative in the stark realities of contemporary Iranian life. The cinematography, combined with a carefully constructed soundscape, amplifies the tension, immersing the audience in a world where every moment is charged with unease and unpredictability.
What makes The Seed of the Sacred Fig especially powerful is its layered symbolism. The disappearance of Iman’s gun serves as a metaphor for the waning control of patriarchal and authoritarian systems. This theme reverberates through the family’s unraveling relationships and the broader societal shifts occurring outside their home. Rasoulof’s subtle but sharp critique of systemic oppression invites viewers to reflect on the intersections of personal agency and political resistance, making the film deeply relevant in a global context.
The Seed of the Sacred Fig is a triumph of courageous storytelling. Rasoulof’s commitment to illuminating the struggles of those living under oppressive regimes, even at great personal risk, is both inspiring and sobering. The film’s combination of compelling performances, arresting visuals, and incisive social commentary solidifies its place as a landmark in contemporary cinema, resonating far beyond Iran’s borders as a universal call for freedom and justice.
2. THE GIRL WITH THE NEEDLE (DENMARK)
“The world is a horrible place. But we need to believe it’s not so.”
Magnus von Horn’s The Girl With the Needle is a haunting and evocative historical drama that captures the harsh realities faced by women in post-World War I Copenhagen. Danish actress Vic Carmen Sonne delivers a mesmerizing performance as Karoline, a young seamstress whose life takes a devastating turn when her wealthy lover abandons her upon learning she is pregnant. Set against the gritty, cobbled streets of early 1920s Denmark, the film uses a claustrophobic 3:2 aspect ratio, stark black-and-white cinematography, and authentic period details to immerse viewers in a world where societal constraints trap women in impossible situations. This gritty authenticity not only grounds the film but underscores the limited options women faced, giving the story an urgent resonance.
At the heart of The Girl With the Needle is Sonne’s portrayal of Karoline, a character who is both vulnerable and fiercely resilient. Her nuanced performance captures Karoline’s struggle to navigate the treacherous waters of poverty, abandonment, and social stigma. Her childlike naivety, fierce determination, and fleeting moments of hope make her plight deeply relatable, even as she faces heartbreaking choices. The film explores her complex emotions, particularly when her long-lost husband returns from the war, scarred and masked. His reappearance further complicates her relationship with Jorgen, her former lover, casting a shadow of despair as Karoline’s choices narrow. Sonne’s portrayal makes Karoline’s journey unforgettable, offering a layered, sympathetic portrait of a woman struggling for control over her life.
Trine Dyrholm’s portrayal of Dagmar, the sinister candy-store owner, adds a chilling depth to the story. Initially presenting as a maternal figure willing to help Karoline, Dagmar quickly reveals her darker side, running an underground adoption agency that preys on vulnerable women like Karoline. Dyrholm’s performance balances warmth with menace, drawing viewers into her unsettling web and delivering a performance that feels like it belongs in a Gothic fairy tale. This duality, between savior and predator, makes Dagmar one of the film’s most compelling characters, a figure scarred by her own experiences yet utterly ruthless in her actions. Her ominous presence builds tension as Karoline’s hopes are dashed, underscoring the theme of betrayal by the very institutions and people meant to protect.
The film’s haunting visuals, crafted by cinematographer Michał Dymek, evoke the eerie stillness of vintage photographs, adding a timeless quality to the story. The cobbled streets, narrow alleyways, and grim interiors feel alive with history, creating a sense of place that is as beautiful as it is oppressive. Dymek’s use of light and shadow heightens the emotional stakes, reinforcing the isolation and hopelessness felt by Karoline as she navigates a world where poverty and shame leave her with few allies. Editor Agnieszka Glinska’s precise cuts add to the atmosphere, subtly intensifying the suspense with each scene. These visual and editorial choices combine to make the film a cinematic experience that is both aesthetically captivating and emotionally raw.
The Girl With the Needle is a masterful exploration of resilience in the face of adversity. While its setting may be specific, the story is universal, touching on issues of bodily autonomy, social judgment, and survival that resonate profoundly today. By focusing on Karoline’s humanity and her fight for a semblance of control, von Horn crafts a narrative that is both heart-wrenching and inspiring. Though the film tackles grim subjects, it ends with a glimmer of hope, offering a hard-won redemption that feels both necessary and cathartic. This fairy-tale-like resolution gives the audience a sense of closure, reminding us that strength and empathy endure even in the darkest circumstances.
Magnus von Horn’s The Girl With the Needle is a haunting and evocative historical drama that captures the harsh realities faced by women in post-World War I Copenhagen. Danish actress Vic Carmen Sonne delivers a mesmerizing performance as Karoline, a young seamstress whose life takes a devastating turn when her wealthy lover abandons her upon learning she is pregnant. Set against the gritty, cobbled streets of early 1920s Denmark, the film uses a claustrophobic 3:2 aspect ratio, stark black-and-white cinematography, and authentic period details to immerse viewers in a world where societal constraints trap women in impossible situations. This gritty authenticity not only grounds the film but underscores the limited options women faced, giving the story an urgent resonance.
At the heart of The Girl With the Needle is Sonne’s portrayal of Karoline, a character who is both vulnerable and fiercely resilient. Her nuanced performance captures Karoline’s struggle to navigate the treacherous waters of poverty, abandonment, and social stigma. Her childlike naivety, fierce determination, and fleeting moments of hope make her plight deeply relatable, even as she faces heartbreaking choices. The film explores her complex emotions, particularly when her long-lost husband returns from the war, scarred and masked. His reappearance further complicates her relationship with Jorgen, her former lover, casting a shadow of despair as Karoline’s choices narrow. Sonne’s portrayal makes Karoline’s journey unforgettable, offering a layered, sympathetic portrait of a woman struggling for control over her life.
Trine Dyrholm’s portrayal of Dagmar, the sinister candy-store owner, adds a chilling depth to the story. Initially presenting as a maternal figure willing to help Karoline, Dagmar quickly reveals her darker side, running an underground adoption agency that preys on vulnerable women like Karoline. Dyrholm’s performance balances warmth with menace, drawing viewers into her unsettling web and delivering a performance that feels like it belongs in a Gothic fairy tale. This duality, between savior and predator, makes Dagmar one of the film’s most compelling characters, a figure scarred by her own experiences yet utterly ruthless in her actions. Her ominous presence builds tension as Karoline’s hopes are dashed, underscoring the theme of betrayal by the very institutions and people meant to protect.
The film’s haunting visuals, crafted by cinematographer Michał Dymek, evoke the eerie stillness of vintage photographs, adding a timeless quality to the story. The cobbled streets, narrow alleyways, and grim interiors feel alive with history, creating a sense of place that is as beautiful as it is oppressive. Dymek’s use of light and shadow heightens the emotional stakes, reinforcing the isolation and hopelessness felt by Karoline as she navigates a world where poverty and shame leave her with few allies. Editor Agnieszka Glinska’s precise cuts add to the atmosphere, subtly intensifying the suspense with each scene. These visual and editorial choices combine to make the film a cinematic experience that is both aesthetically captivating and emotionally raw.
The Girl With the Needle is a masterful exploration of resilience in the face of adversity. While its setting may be specific, the story is universal, touching on issues of bodily autonomy, social judgment, and survival that resonate profoundly today. By focusing on Karoline’s humanity and her fight for a semblance of control, von Horn crafts a narrative that is both heart-wrenching and inspiring. Though the film tackles grim subjects, it ends with a glimmer of hope, offering a hard-won redemption that feels both necessary and cathartic. This fairy-tale-like resolution gives the audience a sense of closure, reminding us that strength and empathy endure even in the darkest circumstances.
1. I'M STILL HERE (BRAZIL)
“We’ll smile.”
Walter Salles’ I'm Still Here is a deeply emotional and powerful return to form for the celebrated Brazilian director, offering a poignant exploration of family, resilience, and the devastating effects of political repression. Based on the real-life story of Eunice Paiva, the film captures the heartache of a woman whose life is upended by the disappearance of her husband during Brazil's military dictatorship. With rich performances, particularly from Fernanda Torres, and a sensitive portrayal of both personal and historical trauma, I'm Still Here becomes a story not just about survival, but about the quiet courage it takes to fight for justice.
From the opening scene, where Eunice floats peacefully in the ocean under a clear sky, Salles sets the stage for a tale of contrast. The film beautifully juxtaposes the simplicity of family life with the growing tension of living under an authoritarian regime. The Paiva family, with their joyful moments of togetherness, gradually feels the suffocating grip of the dictatorship, and Salles masterfully captures this shift in tone. The symbolic transformation of the family home, from a lively, open space to one marked by fear and silence, adds layers of emotional depth to the narrative.
Fernanda Torres delivers an extraordinary performance as Eunice, carrying the film with her quiet strength and vulnerability. She portrays a woman whose life is shattered by her husband’s forced disappearance, yet she finds the courage to carry on for the sake of her children. Torres’ nuanced portrayal of grief, determination, and the toll of an unyielding quest for answers anchors the film, making Eunice's journey both heartbreaking and inspiring. It’s a performance that feels lived-in and authentic, ensuring the audience is deeply invested in her story from beginning to end.
Salles’ direction is both subtle and evocative, avoiding melodrama while allowing the emotional weight of the story to unfold naturally. The use of handheld Super 8 footage, shot by the Paiva’s eldest daughter, brings an intimate, nostalgic texture to the film, making each family moment feel personal and poignant. The soundtrack, featuring music from Gilberto Gil, Caetano Veloso, and Warren Ellis, further enhances the film’s atmosphere, blending the warmth of family memories with the underlying melancholy of loss.
I'm Still Here is a film about resilience, memory, and the enduring human spirit in the face of overwhelming injustice. By focusing on the personal rather than the political, Salles creates a universal story of love, loss, and survival that transcends its historical context. It’s a film that lingers in the mind long after the credits roll, reminding us of the importance of remembering those who suffered and resisted, and the power of stories to keep their legacies alive.
Walter Salles’ I'm Still Here is a deeply emotional and powerful return to form for the celebrated Brazilian director, offering a poignant exploration of family, resilience, and the devastating effects of political repression. Based on the real-life story of Eunice Paiva, the film captures the heartache of a woman whose life is upended by the disappearance of her husband during Brazil's military dictatorship. With rich performances, particularly from Fernanda Torres, and a sensitive portrayal of both personal and historical trauma, I'm Still Here becomes a story not just about survival, but about the quiet courage it takes to fight for justice.
From the opening scene, where Eunice floats peacefully in the ocean under a clear sky, Salles sets the stage for a tale of contrast. The film beautifully juxtaposes the simplicity of family life with the growing tension of living under an authoritarian regime. The Paiva family, with their joyful moments of togetherness, gradually feels the suffocating grip of the dictatorship, and Salles masterfully captures this shift in tone. The symbolic transformation of the family home, from a lively, open space to one marked by fear and silence, adds layers of emotional depth to the narrative.
Fernanda Torres delivers an extraordinary performance as Eunice, carrying the film with her quiet strength and vulnerability. She portrays a woman whose life is shattered by her husband’s forced disappearance, yet she finds the courage to carry on for the sake of her children. Torres’ nuanced portrayal of grief, determination, and the toll of an unyielding quest for answers anchors the film, making Eunice's journey both heartbreaking and inspiring. It’s a performance that feels lived-in and authentic, ensuring the audience is deeply invested in her story from beginning to end.
Salles’ direction is both subtle and evocative, avoiding melodrama while allowing the emotional weight of the story to unfold naturally. The use of handheld Super 8 footage, shot by the Paiva’s eldest daughter, brings an intimate, nostalgic texture to the film, making each family moment feel personal and poignant. The soundtrack, featuring music from Gilberto Gil, Caetano Veloso, and Warren Ellis, further enhances the film’s atmosphere, blending the warmth of family memories with the underlying melancholy of loss.
I'm Still Here is a film about resilience, memory, and the enduring human spirit in the face of overwhelming injustice. By focusing on the personal rather than the political, Salles creates a universal story of love, loss, and survival that transcends its historical context. It’s a film that lingers in the mind long after the credits roll, reminding us of the importance of remembering those who suffered and resisted, and the power of stories to keep their legacies alive.