THE BEST FILMS NOT SHORTLISTED
DECEMBER 21, 2024
DECEMBER 21, 2024
Before diving into the 15 films that made the shortlist, let’s take a moment to celebrate the 15 standout films that narrowly missed advancing to the next round. As the International Feature submissions grow increasingly competitive, it’s becoming harder to accept how many remarkable films don't make the cut. These films deserve recognition, as each was likely just a step away from joining the final 15. Let’s shine a spotlight on their incredible achievements.
These are the five films that probably just missed out on getting shortlisted this year:
Here's a look at our favourite films that didn't get shortlisted this year:
These are the five films that probably just missed out on getting shortlisted this year:
- Julie Keeps Quiet (Belgium)
- The Last Journey (Sweden)
- Lost Ladies (India)
- Memories of a Burning Body (Costa Rica)
- Sujo (Mexico)
Here's a look at our favourite films that didn't get shortlisted this year:
12.12: THE DAY (SOUTH KOREA)
Following the assassination of President Park Chung-hee, South Korea plunged into political chaos, leading to the declaration of martial law. Amid this turmoil, Defense Security Commander Chun Doo-gwang orchestrates a coup d'état, rallying a private faction of officers to seize control of the nation. Opposing him is Capital Defense Commander Lee Tae-shin, who takes a principled stand to thwart Chun’s ambitions. The resulting standoff intensifies as military leaders are torn between loyalty to the established order and the shifting tides of power. This gripping conflict, set against the backdrop of a nation on the brink, unfolds as a high-stakes struggle for the future of South Korea.
12.12: The Day delves into these dramatic events with precision and intensity. Directed by Kim Sung-soo and featuring powerhouse performances by Hwang Jung-min, Jung Woo-sung, and Lee Sung-min, the film captures the volatile political landscape of 1979 with stunning authenticity. Released theatrically on November 22, 2023, the film resonated deeply with audiences, grossing over $97 million USD and securing its place as the fourth-highest-grossing Korean film of all time. Its success underscores not only the enduring fascination with this turbulent chapter in Korean history but also the remarkable craft of its cast and crew in bringing such a pivotal story to life.
Now available on video on demand, 12.12: The Day invites viewers worldwide to experience this landmark production. Beyond its historical significance, the film offers a poignant exploration of loyalty, ambition, and the human cost of political upheaval. By intertwining personal and national stakes, it presents a narrative that is as emotionally resonant as it is thrilling, solidifying its status as a must-watch entry in the canon of South Korean cinema.
12.12: The Day delves into these dramatic events with precision and intensity. Directed by Kim Sung-soo and featuring powerhouse performances by Hwang Jung-min, Jung Woo-sung, and Lee Sung-min, the film captures the volatile political landscape of 1979 with stunning authenticity. Released theatrically on November 22, 2023, the film resonated deeply with audiences, grossing over $97 million USD and securing its place as the fourth-highest-grossing Korean film of all time. Its success underscores not only the enduring fascination with this turbulent chapter in Korean history but also the remarkable craft of its cast and crew in bringing such a pivotal story to life.
Now available on video on demand, 12.12: The Day invites viewers worldwide to experience this landmark production. Beyond its historical significance, the film offers a poignant exploration of loyalty, ambition, and the human cost of political upheaval. By intertwining personal and national stakes, it presents a narrative that is as emotionally resonant as it is thrilling, solidifying its status as a must-watch entry in the canon of South Korean cinema.
ABANG ADIK (MALAYSIA)
Abang Adik tells the poignant story of two undocumented orphans struggling to survive in present-day Malaysia. The older brother, Abang, is a deaf mute who has adapted to a life of poverty with quiet resignation, finding solace in routine and hard work. His younger sibling, Adik, is a fiery spirit who refuses to accept their dire circumstances, fueled by indignation at the systemic injustices they face. The brothers’ bond is both a source of strength and tension, culminating in a brutal accident that shatters their fragile balance and forces them to confront their individual desires, limitations, and the sacrifices demanded by their shared existence.
Marking Jin Ong’s directorial debut, Abang Adik has captivated audiences and critics alike since its worldwide premiere at the Fribourg International Film Festival in March 2023. The film’s deeply human narrative and visually arresting storytelling have propelled it onto the global festival circuit, earning accolades at prestigious events such as the Asia New York Film Festival and the Far East Film Festival in Udine, Italy. Its impressive list of awards includes the Golden Mulberry Audience Award, the Black Dragon Critics' Prize, and the White Mulberry Award for Best First Feature, solidifying its place as a standout debut. Additionally, Taiwanese actor Wu Kang-ren’s searing performance as Abang garnered him the coveted Best Leading Actor award at the Golden Horse Awards, a testament to the film’s emotional depth and its resonant portrayal of marginalization.
Following its success on the festival circuit, Abang Adik debuted in theaters across Malaysia, Taiwan, Hong Kong, and Singapore in December 2023, achieving record-breaking box office numbers. Its widespread acclaim highlights the universal appeal of its themes—brotherhood, resilience, and the quest for dignity in the face of adversity. Beyond its critical and commercial success, the film serves as a powerful social commentary on the plight of undocumented individuals in Southeast Asia, shedding light on the struggles of those who live in the shadows. Abang Adik stands as both a cinematic triumph and a profound reflection on humanity’s capacity for love and survival amidst systemic hardship.
Marking Jin Ong’s directorial debut, Abang Adik has captivated audiences and critics alike since its worldwide premiere at the Fribourg International Film Festival in March 2023. The film’s deeply human narrative and visually arresting storytelling have propelled it onto the global festival circuit, earning accolades at prestigious events such as the Asia New York Film Festival and the Far East Film Festival in Udine, Italy. Its impressive list of awards includes the Golden Mulberry Audience Award, the Black Dragon Critics' Prize, and the White Mulberry Award for Best First Feature, solidifying its place as a standout debut. Additionally, Taiwanese actor Wu Kang-ren’s searing performance as Abang garnered him the coveted Best Leading Actor award at the Golden Horse Awards, a testament to the film’s emotional depth and its resonant portrayal of marginalization.
Following its success on the festival circuit, Abang Adik debuted in theaters across Malaysia, Taiwan, Hong Kong, and Singapore in December 2023, achieving record-breaking box office numbers. Its widespread acclaim highlights the universal appeal of its themes—brotherhood, resilience, and the quest for dignity in the face of adversity. Beyond its critical and commercial success, the film serves as a powerful social commentary on the plight of undocumented individuals in Southeast Asia, shedding light on the struggles of those who live in the shadows. Abang Adik stands as both a cinematic triumph and a profound reflection on humanity’s capacity for love and survival amidst systemic hardship.
BAURYNA SALU (KAZAKHSTAN)
Following the Kazakh tradition of bauryna salu, newborn Yersultan is given to his grandmother to be raised, a custom meant to honor elders and strengthen familial bonds across generations. However, for Yersultan, this arrangement fosters a deep sense of resentment and disconnection from his biological parents, who feel more like strangers than family. When he turns 12, his world is upended by the death of his grandmother, forcing him to leave behind the only home he has ever known and move in with a family he barely understands. This pivotal transition becomes the heart of Yersultan’s emotional journey as he grapples with loss, identity, and the challenges of reuniting with his parents.
Bauryna Salu had its world premiere in the New Directors sidebar of the 2023 San Sebastian International Film Festival, where it garnered widespread attention for its heartfelt storytelling and unique cultural perspective. The film later triumphed at Kazakhstan’s prestigious Tulpar Awards, winning Best Film and solidifying its place as a standout achievement in Kazakh cinema. This debut feature by Askhat Kuchencherekov draws deeply from his own experiences of being raised by his grandparents under the bauryna salu tradition, lending an authentic and deeply personal lens to the narrative. The film not only offers rare insights into the intricacies of rural Kazakh life but also explores universal themes of belonging and familial estrangement.
Kuchencherekov’s career prior to directing this feature provides a strong foundation for the film’s success. Having worked as an assistant director to renowned filmmaker Sergey Dvortsevoy, Kuchencherekov gained valuable experience contributing to acclaimed films such as Tulpan (2008) and Ayka (2019), the latter of which was shortlisted for an Academy Award. His transition to directing, however, marks an impressive milestone, with Bauryna Salu showcasing his ability to combine ethnographic richness with poignant storytelling. The film not only resonates as a deeply personal narrative but also serves as a testament to the vibrancy and evolving voice of Kazakh cinema on the global stage.
Bauryna Salu had its world premiere in the New Directors sidebar of the 2023 San Sebastian International Film Festival, where it garnered widespread attention for its heartfelt storytelling and unique cultural perspective. The film later triumphed at Kazakhstan’s prestigious Tulpar Awards, winning Best Film and solidifying its place as a standout achievement in Kazakh cinema. This debut feature by Askhat Kuchencherekov draws deeply from his own experiences of being raised by his grandparents under the bauryna salu tradition, lending an authentic and deeply personal lens to the narrative. The film not only offers rare insights into the intricacies of rural Kazakh life but also explores universal themes of belonging and familial estrangement.
Kuchencherekov’s career prior to directing this feature provides a strong foundation for the film’s success. Having worked as an assistant director to renowned filmmaker Sergey Dvortsevoy, Kuchencherekov gained valuable experience contributing to acclaimed films such as Tulpan (2008) and Ayka (2019), the latter of which was shortlisted for an Academy Award. His transition to directing, however, marks an impressive milestone, with Bauryna Salu showcasing his ability to combine ethnographic richness with poignant storytelling. The film not only resonates as a deeply personal narrative but also serves as a testament to the vibrancy and evolving voice of Kazakh cinema on the global stage.
COME CLOSER (ISRAEL)
When Eden’s beloved brother dies unexpectedly, her world is shattered by the overwhelming weight of grief. Struggling to make sense of his absence, Eden’s mourning takes a dark and obsessive turn when she uncovers the existence of his secret girlfriend—a revelation that complicates her understanding of her brother’s life and their bond. What begins as a quest for answers soon spirals into an unsettling journey of fixation, as Eden’s emotions blur the line between love, loss, and envy. With stunning visuals and a haunting soundtrack, Come Closer immerses viewers in a poignant exploration of the fragile boundaries between devotion and obsession.
Come Closer marks the directorial debut of Tom Nesher and premiered to critical acclaim at the 23rd Tribeca Festival on June 6, 2024, where it won the prestigious Viewpoints Award. The film’s success continued at the Jerusalem Film Festival, where it was celebrated as the Best Israeli Feature and also took home awards for Best Actress, recognizing Lia Elalouf’s captivating performance, and Best Original Score for its evocative musical accompaniment. The film’s artful cinematography, combined with its emotionally charged narrative, quickly positioned it as a standout in Israeli cinema. Following its festival triumphs, Come Closer was released in theaters across Israel in September 2024, drawing significant attention from both audiences and critics.
The film’s remarkable achievement is further underscored by its twelve Ophir Award nominations, including nods for Best Picture, Best Director, Best Actress, and Best Supporting Actress. These accolades solidify Tom Nesher’s status as a rising talent in filmmaking and highlight the strength of the cast and crew in bringing this deeply personal and universally resonant story to life. Come Closer is not only a visually and sonically arresting film but also a profound meditation on the complexities of grief and the lengths to which love and loss can drive us. It stands as a significant contribution to contemporary Israeli cinema and a powerful debut for Nesher.
Come Closer marks the directorial debut of Tom Nesher and premiered to critical acclaim at the 23rd Tribeca Festival on June 6, 2024, where it won the prestigious Viewpoints Award. The film’s success continued at the Jerusalem Film Festival, where it was celebrated as the Best Israeli Feature and also took home awards for Best Actress, recognizing Lia Elalouf’s captivating performance, and Best Original Score for its evocative musical accompaniment. The film’s artful cinematography, combined with its emotionally charged narrative, quickly positioned it as a standout in Israeli cinema. Following its festival triumphs, Come Closer was released in theaters across Israel in September 2024, drawing significant attention from both audiences and critics.
The film’s remarkable achievement is further underscored by its twelve Ophir Award nominations, including nods for Best Picture, Best Director, Best Actress, and Best Supporting Actress. These accolades solidify Tom Nesher’s status as a rising talent in filmmaking and highlight the strength of the cast and crew in bringing this deeply personal and universally resonant story to life. Come Closer is not only a visually and sonically arresting film but also a profound meditation on the complexities of grief and the lengths to which love and loss can drive us. It stands as a significant contribution to contemporary Israeli cinema and a powerful debut for Nesher.
THE DEVIL'S BATH (AUSTRIA)
Set in 18th-century Austria, The Devil’s Bath transports viewers to a world of shadowy forests and isolated villages, where the boundaries between the natural and the supernatural blur. Agnes, a young bride full of hope and anticipation, is preparing for her new life as a wife. Her days are initially filled with the joys of marriage and the promise of a shared future with her beloved. However, a sense of unease begins to creep in. Her mind and body grow increasingly burdened, as if the very weight of the dense woods surrounding her village is pressing down upon her. Each passing day sees Agnes drawn further into a murky and lonely path, her thoughts growing darker, her heart heavier. As whispers of malevolence seep into her psyche, she teeters on the brink of losing herself entirely to evil thoughts and supernatural dread.
The Devil’s Bath is the third fiction feature from the acclaimed Austrian duo Veronika Franz and Severin Fiala, known for their unsettling and psychologically complex narratives in Goodnight Mommy (Austria’s 2015 Oscar submission) and The Lodge. With this film, they continue to explore themes of isolation, fear, and the fragile boundaries of the human mind. Starring Anja Plaschg in a haunting and deeply committed performance, the film weaves an eerie tapestry of psychological horror, heightened by its richly atmospheric setting and period detail. Premiering in Competition at the 2024 Berlin Film Festival, The Devil’s Bath captivated audiences and critics alike with its gripping tale and immersive cinematography.
The film’s striking visual language was recognized with the Silver Bear for Best Cinematography at Berlin, cementing its reputation as a technical and artistic triumph. Through evocative imagery and a chilling soundscape, The Devil’s Bath masterfully captures Agnes’s descent into darkness, mirroring the oppressive weight of her surroundings. Franz and Fiala’s careful direction draws the audience into a world both beautiful and terrifying, reflecting the duality of Agnes’s inner turmoil. With its unrelenting tension and exploration of timeless fears, The Devil’s Bath is not only a standout entry in the horror genre but also a powerful meditation on the fragility of the human spirit in the face of overwhelming forces, both internal and external.
The Devil’s Bath is the third fiction feature from the acclaimed Austrian duo Veronika Franz and Severin Fiala, known for their unsettling and psychologically complex narratives in Goodnight Mommy (Austria’s 2015 Oscar submission) and The Lodge. With this film, they continue to explore themes of isolation, fear, and the fragile boundaries of the human mind. Starring Anja Plaschg in a haunting and deeply committed performance, the film weaves an eerie tapestry of psychological horror, heightened by its richly atmospheric setting and period detail. Premiering in Competition at the 2024 Berlin Film Festival, The Devil’s Bath captivated audiences and critics alike with its gripping tale and immersive cinematography.
The film’s striking visual language was recognized with the Silver Bear for Best Cinematography at Berlin, cementing its reputation as a technical and artistic triumph. Through evocative imagery and a chilling soundscape, The Devil’s Bath masterfully captures Agnes’s descent into darkness, mirroring the oppressive weight of her surroundings. Franz and Fiala’s careful direction draws the audience into a world both beautiful and terrifying, reflecting the duality of Agnes’s inner turmoil. With its unrelenting tension and exploration of timeless fears, The Devil’s Bath is not only a standout entry in the horror genre but also a powerful meditation on the fragility of the human spirit in the face of overwhelming forces, both internal and external.
JULIE KEEPS QUIET (BELGIUM)
As the star player at an elite tennis academy, Julie’s life is defined by discipline, ambition, and an unwavering focus on the game she loves. Surrounded by intense competition and high expectations, she has learned to thrive under pressure, channeling every ounce of her energy into becoming the best. However, when her coach—an influential figure in her life—is placed under investigation and abruptly suspended, Julie faces a crossroads. The academy encourages all its players to speak up, seeking to uncover the truth about the allegations. But Julie, torn between loyalty and self-preservation, decides to remain silent, a choice that sets off a chain of emotional and ethical turmoil. Her decision forces her to confront uncomfortable questions about power, trust, and her own complicity.
Julie Keeps Quiet marks the feature film debut of Leonardo Van Dijl, whose sharp direction and keen eye for detail make this a deeply affecting drama. Premiering to acclaim at Cannes’ Critics’ Week, the film won both the Prix SACD and the Prix Fondation Gan, signaling the arrival of a bold new voice in contemporary cinema. Following its success at Cannes, the film garnered invitations to prestigious festivals such as Karlovy Vary, Melbourne, Sarajevo, and Poland’s New Horizons Festival. Its North American premiere at the Toronto Film Festival further solidified its status as a breakout feature. Van Dijl’s approach to the story is both subtle and powerful, using Julie’s inner conflict to craft a narrative that is as much about systemic issues in competitive sports as it is about individual moral dilemmas.
Adding to its growing accolades, Julie Keeps Quiet has been shortlisted for the European Film Awards, an honor that recognizes its exceptional storytelling and resonant themes. Tennis champion Naomi Osaka recently joined the project as an executive producer, lending her voice to a film that delves into the complexities of silence and speaking out in environments where power dynamics are often skewed. Through Julie’s journey, Van Dijl captures the quiet struggles of athletes who must navigate the intersection of personal ambition and ethical responsibility. With its nuanced performances and thought-provoking narrative, Julie Keeps Quiet not only marks an impressive debut for Van Dijl but also offers a searing critique of the pressures and injustices lurking beneath the surface of elite sports.
Julie Keeps Quiet marks the feature film debut of Leonardo Van Dijl, whose sharp direction and keen eye for detail make this a deeply affecting drama. Premiering to acclaim at Cannes’ Critics’ Week, the film won both the Prix SACD and the Prix Fondation Gan, signaling the arrival of a bold new voice in contemporary cinema. Following its success at Cannes, the film garnered invitations to prestigious festivals such as Karlovy Vary, Melbourne, Sarajevo, and Poland’s New Horizons Festival. Its North American premiere at the Toronto Film Festival further solidified its status as a breakout feature. Van Dijl’s approach to the story is both subtle and powerful, using Julie’s inner conflict to craft a narrative that is as much about systemic issues in competitive sports as it is about individual moral dilemmas.
Adding to its growing accolades, Julie Keeps Quiet has been shortlisted for the European Film Awards, an honor that recognizes its exceptional storytelling and resonant themes. Tennis champion Naomi Osaka recently joined the project as an executive producer, lending her voice to a film that delves into the complexities of silence and speaking out in environments where power dynamics are often skewed. Through Julie’s journey, Van Dijl captures the quiet struggles of athletes who must navigate the intersection of personal ambition and ethical responsibility. With its nuanced performances and thought-provoking narrative, Julie Keeps Quiet not only marks an impressive debut for Van Dijl but also offers a searing critique of the pressures and injustices lurking beneath the surface of elite sports.
THE LAST JOURNEY (SWEDEN)
Lars Hammar envisioned his retirement as a time of new beginnings, filled with exciting travels and cherished experiences. However, reality has taken a different turn. Instead of embracing this phase with enthusiasm, Lars has grown increasingly passive, much to the concern of his wife and son, Filip. The lively, rugged man they once knew now spends his days in quiet detachment, seemingly weighed down by the passing of time. Hoping to reignite his father’s zest for life, Filip proposes a bold idea: to take Lars on a journey through his beloved France. Revisiting the places that once brought him joy might be the key to helping Lars reconnect with himself and his family. What begins as a hopeful plan soon unfolds into an emotional odyssey that challenges both father and son.
The Last Journey is the second feature film from the renowned Swedish duo Fredrik Wikingsson and Filip Hammar, but it marks their first foray into documentary filmmaking. Premiering in Swedish cinemas in March 2024, the film quickly captured the hearts of audiences with its deeply personal narrative and stunning visuals. The directors’ decision to chronicle a real-life story about their own family adds a layer of authenticity and emotional depth that resonates profoundly. By blending intimate family moments with the breathtaking backdrop of France, The Last Journey becomes a poignant exploration of aging, memory, and the enduring power of familial bonds.
The film’s universal themes and touching narrative struck a chord with Swedish audiences, making it the most-viewed documentary in the country’s cinematic history, with over 400,000 moviegoers experiencing its story. Beyond its commercial success, The Last Journey offers a heartfelt reminder of the importance of connection and the healing potential of revisiting the past. With its mix of humor, heartache, and hope, the film solidifies Wikingsson and Hammar’s reputation as versatile storytellers capable of bridging the gap between fiction and real life. It’s more than a documentary—it’s a testament to the power of love, travel, and second chances.
The Last Journey is the second feature film from the renowned Swedish duo Fredrik Wikingsson and Filip Hammar, but it marks their first foray into documentary filmmaking. Premiering in Swedish cinemas in March 2024, the film quickly captured the hearts of audiences with its deeply personal narrative and stunning visuals. The directors’ decision to chronicle a real-life story about their own family adds a layer of authenticity and emotional depth that resonates profoundly. By blending intimate family moments with the breathtaking backdrop of France, The Last Journey becomes a poignant exploration of aging, memory, and the enduring power of familial bonds.
The film’s universal themes and touching narrative struck a chord with Swedish audiences, making it the most-viewed documentary in the country’s cinematic history, with over 400,000 moviegoers experiencing its story. Beyond its commercial success, The Last Journey offers a heartfelt reminder of the importance of connection and the healing potential of revisiting the past. With its mix of humor, heartache, and hope, the film solidifies Wikingsson and Hammar’s reputation as versatile storytellers capable of bridging the gap between fiction and real life. It’s more than a documentary—it’s a testament to the power of love, travel, and second chances.
LIFE (TURKEY)
Hicran’s life takes a tumultuous turn when she flees her family home after being forced into an engagement with Riza, a man she neither loves nor desires to marry. Initially indifferent to her rejection, Riza dismisses her flight as an impulsive act of defiance. However, as time passes, her absence begins to gnaw at him, unsettling his sense of pride and control. Compelled by a mix of wounded ego and unresolved feelings, Riza sets out on a relentless quest to find her, navigating the labyrinthine streets of Istanbul. His journey becomes more than just a search for Hicran—it transforms into an exploration of his own motives, vulnerabilities, and the societal expectations that bind them both.
Life is the latest work by renowned Turkish auteur Zeki Demirkubuz, who takes on the roles of writer, producer, and editor for this deeply personal film. Known for his unflinching exploration of human psychology and moral ambiguity, Demirkubuz crafts a narrative that delves into themes of agency, freedom, and the clash between tradition and individual desire. Premiering at the Thessaloniki International Film Festival in November 2023, the film received widespread acclaim for its raw emotional depth and nuanced portrayal of its characters. The vibrant and chaotic backdrop of Istanbul serves as more than a setting—it becomes a character in itself, reflecting the inner turmoil and complex dynamics of the story.
Recognized as one of the top European films of the year by the European Film Academy, Life solidifies Demirkubuz’s reputation as a masterful storyteller who excels at portraying the complexities of human relationships. The film’s evocative cinematography and compelling performances draw viewers into a world where societal norms collide with individual aspirations. Through Hicran and Riza’s intertwined journeys, Life poses challenging questions about love, autonomy, and the consequences of chasing what seems just out of reach. It’s a film that lingers in the mind long after the credits roll, offering no easy answers but plenty of insight into the intricacies of human connection.
Life is the latest work by renowned Turkish auteur Zeki Demirkubuz, who takes on the roles of writer, producer, and editor for this deeply personal film. Known for his unflinching exploration of human psychology and moral ambiguity, Demirkubuz crafts a narrative that delves into themes of agency, freedom, and the clash between tradition and individual desire. Premiering at the Thessaloniki International Film Festival in November 2023, the film received widespread acclaim for its raw emotional depth and nuanced portrayal of its characters. The vibrant and chaotic backdrop of Istanbul serves as more than a setting—it becomes a character in itself, reflecting the inner turmoil and complex dynamics of the story.
Recognized as one of the top European films of the year by the European Film Academy, Life solidifies Demirkubuz’s reputation as a masterful storyteller who excels at portraying the complexities of human relationships. The film’s evocative cinematography and compelling performances draw viewers into a world where societal norms collide with individual aspirations. Through Hicran and Riza’s intertwined journeys, Life poses challenging questions about love, autonomy, and the consequences of chasing what seems just out of reach. It’s a film that lingers in the mind long after the credits roll, offering no easy answers but plenty of insight into the intricacies of human connection.
MEETING WITH POL POT (CAMBODIA)
Three French journalists, eager for a rare opportunity to uncover the truth, are invited to interview Pol Pot, the elusive and enigmatic leader of the Khmer Rouge regime. As they arrive in Cambodia, they are greeted by a carefully curated image of an idyllic nation—prosperous villages, smiling citizens, and the appearance of harmony. However, beneath this façade of peace lies a crumbling regime, struggling to maintain its grip on power. The threat of war with Vietnam looms ever closer, and the journalists slowly begin to sense the cracks in the regime's carefully constructed image. As the interview progresses, the tension grows, revealing the complexities and contradictions of Pol Pot’s leadership and the dire reality of the Cambodian people.
Meeting with Pol Pot, the latest film from acclaimed French-Cambodian filmmaker Rithy Panh, is a deeply unsettling exploration of power, propaganda, and the human cost of political ambition. Known for his unflinching examinations of Cambodia’s tragic history, Panh once again brings his unique perspective to the screen, blending fact and fiction to create a narrative that is both gripping and thought-provoking. This marks the fourth time Cambodia has selected one of his works for submission to the Academy Awards, following Rice People (1994), The Missing Picture (2013), and Graves Without a Name (2018). The Missing Picture earned him an Academy Award nomination, cementing his status as a vital voice in global cinema.
Premiering at the Cannes Film Festival in May 2024, Meeting with Pol Pot has garnered critical acclaim for its bold storytelling and masterful direction. The film has since been released in theaters across France and Cambodia, where it has sparked important conversations about the legacy of the Khmer Rouge and the lasting scars it left on Cambodian society. With its haunting visuals and meticulously crafted narrative, Meeting with Pol Pot continues Panh’s tradition of confronting painful historical truths while exploring the human resilience needed to confront them. This latest work not only reaffirms his place among the world’s great directors but also serves as a poignant reminder of the perils of unchecked power and propaganda.
Meeting with Pol Pot, the latest film from acclaimed French-Cambodian filmmaker Rithy Panh, is a deeply unsettling exploration of power, propaganda, and the human cost of political ambition. Known for his unflinching examinations of Cambodia’s tragic history, Panh once again brings his unique perspective to the screen, blending fact and fiction to create a narrative that is both gripping and thought-provoking. This marks the fourth time Cambodia has selected one of his works for submission to the Academy Awards, following Rice People (1994), The Missing Picture (2013), and Graves Without a Name (2018). The Missing Picture earned him an Academy Award nomination, cementing his status as a vital voice in global cinema.
Premiering at the Cannes Film Festival in May 2024, Meeting with Pol Pot has garnered critical acclaim for its bold storytelling and masterful direction. The film has since been released in theaters across France and Cambodia, where it has sparked important conversations about the legacy of the Khmer Rouge and the lasting scars it left on Cambodian society. With its haunting visuals and meticulously crafted narrative, Meeting with Pol Pot continues Panh’s tradition of confronting painful historical truths while exploring the human resilience needed to confront them. This latest work not only reaffirms his place among the world’s great directors but also serves as a poignant reminder of the perils of unchecked power and propaganda.
MEMORIES OF A BURNING BODY (COSTA RICA)
Memories of a Burning Body explores the complex and often oppressive experiences of womanhood, as shaped by repression and societal taboos. The film centers on three women—Ana (68), Patricia (69), and Mayela (71)—whose lives have been marked by silence, hidden desires, and the burden of unspoken truths. Their stories unfold in a series of intertwined memories, each contributing to a larger narrative of longing and loss. As the women reflect on their lives, their personal histories are embodied by another woman's body, symbolizing how their identities and experiences are inseparable from the physicality of womanhood. This blending of memory, desire, and identity creates a deeply poetic and poignant portrayal of aging, sexual awakening, and the struggle for agency in a world that has long relegated them to the margins.
Directed by Antonella Sudasassi, Memories of a Burning Body is her second film submitted by Costa Rica, following The Awakening of the Ants (2019). Sudasassi, known for her sensitive and nuanced approach to storytelling, has crafted a film that speaks to universal themes while rooted in the specific cultural context of Latin America. The film made its worldwide debut at the 2024 Berlin International Film Festival, where it received widespread acclaim for its emotional depth and visual elegance. It won the prestigious Audience Award, which speaks to the film's universal resonance with audiences across cultures. Sudasassi's unique vision shines through in every frame, inviting viewers into an intimate world where personal histories are both revealed and reimagined.
Beyond its festival success, Memories of a Burning Body has found a broader impact as an educational and reflective tool. The film was featured at events like the UN Population Fund’s World Sexual Health Day, where it was used to spark important conversations about sexual health, aging, and the experiences of women in society. The film also earned several accolades at Ventana Sur during its post-production stages, cementing its reputation as a powerful cinematic work. With its poetic narrative, captivating performances, and timely themes, Memories of a Burning Body continues to build on Sudasassi's reputation as a filmmaker who isn't afraid to tackle complex, deeply personal stories while pushing for social change and reflection on a global scale.
Directed by Antonella Sudasassi, Memories of a Burning Body is her second film submitted by Costa Rica, following The Awakening of the Ants (2019). Sudasassi, known for her sensitive and nuanced approach to storytelling, has crafted a film that speaks to universal themes while rooted in the specific cultural context of Latin America. The film made its worldwide debut at the 2024 Berlin International Film Festival, where it received widespread acclaim for its emotional depth and visual elegance. It won the prestigious Audience Award, which speaks to the film's universal resonance with audiences across cultures. Sudasassi's unique vision shines through in every frame, inviting viewers into an intimate world where personal histories are both revealed and reimagined.
Beyond its festival success, Memories of a Burning Body has found a broader impact as an educational and reflective tool. The film was featured at events like the UN Population Fund’s World Sexual Health Day, where it was used to spark important conversations about sexual health, aging, and the experiences of women in society. The film also earned several accolades at Ventana Sur during its post-production stages, cementing its reputation as a powerful cinematic work. With its poetic narrative, captivating performances, and timely themes, Memories of a Burning Body continues to build on Sudasassi's reputation as a filmmaker who isn't afraid to tackle complex, deeply personal stories while pushing for social change and reflection on a global scale.
MEMORY LANE (NETHERLANDS)
Memory Lane tells the story of Jaap and Maartje, a couple who have shared nearly five decades of life together. Jaap, now a grumpy old man, has grown weary of life's routines and is no longer eager to embrace new experiences. In contrast, Maartje, despite occasional confusion due to aging, remains vibrant and eager to seize every opportunity that life presents. Their contrasting outlooks on life form the heart of the film, exploring themes of love, memory, and the challenges that come with growing old. The couple's routine is disrupted when they receive a letter from an old holiday friend, sparking Maartje's desire to reconnect. Despite Jaap's reluctance, Maartje manages to convince him to journey to Southern Europe to visit their old friend, setting the stage for an emotional exploration of their shared past and uncertain future.
The film, directed by Jelle de Jonge, marks his third feature film, showcasing his ability to delve into the complexities of relationships and aging. Memory Lane had a successful release in Dutch cinemas in March 2024, quickly captivating audiences and drawing over 100,000 viewers within just two weeks. This success was recognized when the film was awarded a Golden Film, a prestigious honor in the Netherlands. With its relatable and heartwarming portrayal of the later stages of life, Memory Lane resonated deeply with Dutch audiences, ultimately attracting over 250,000 viewers. The film's success highlights its universal appeal, transcending borders and resonating with viewers of all ages, especially those navigating the realities of aging and the emotional depth of long-term relationships.
Beyond its success in the Netherlands, Memory Lane also gained international recognition, screening at Flickers' Rhode Island International Film Festival in the USA. The film's ability to connect with audiences through its honest and sometimes humorous portrayal of aging, love, and personal growth has helped it find a global audience. The movie's universal themes—about reflection, memory, and the bonds that tie us together—have allowed it to resonate with viewers beyond its Dutch origins. With its critical acclaim and wide-reaching success, Memory Lane solidifies Jelle de Jonge's position as a filmmaker who can tackle both the humor and the depth of human relationships with sensitivity and insight.
The film, directed by Jelle de Jonge, marks his third feature film, showcasing his ability to delve into the complexities of relationships and aging. Memory Lane had a successful release in Dutch cinemas in March 2024, quickly captivating audiences and drawing over 100,000 viewers within just two weeks. This success was recognized when the film was awarded a Golden Film, a prestigious honor in the Netherlands. With its relatable and heartwarming portrayal of the later stages of life, Memory Lane resonated deeply with Dutch audiences, ultimately attracting over 250,000 viewers. The film's success highlights its universal appeal, transcending borders and resonating with viewers of all ages, especially those navigating the realities of aging and the emotional depth of long-term relationships.
Beyond its success in the Netherlands, Memory Lane also gained international recognition, screening at Flickers' Rhode Island International Film Festival in the USA. The film's ability to connect with audiences through its honest and sometimes humorous portrayal of aging, love, and personal growth has helped it find a global audience. The movie's universal themes—about reflection, memory, and the bonds that tie us together—have allowed it to resonate with viewers beyond its Dutch origins. With its critical acclaim and wide-reaching success, Memory Lane solidifies Jelle de Jonge's position as a filmmaker who can tackle both the humor and the depth of human relationships with sensitivity and insight.
SATURN RETURN (SPAIN)
Saturn Return takes place at the end of the 1990s in Granada, a city experiencing a cultural renaissance that has given rise to a new wave of music, art, and creative expression. At the heart of this cultural boom is an indie band on the verge of revolutionizing Spain's music scene. However, just before they embark on creating their highly anticipated new album, the band faces a critical crossroads, struggling with internal conflicts and personal tensions that threaten to unravel everything they’ve worked for. The film explores the chaos and emotional turmoil of trying to hold onto artistic dreams while confronting personal demons, capturing the volatile nature of youth, ambition, and the challenges of artistic collaboration.
Directed by Isaki Lacuesta and Pol Rodríguez, Saturn Return made a striking debut at the Malaga Film Festival, where it won multiple accolades, including Best Director, Best Editing, and Best Spanish Film. These honors solidified its place as a standout entry in Spanish cinema. The film has continued its festival journey, screening at prestigious events like the Seattle Film Festival, the Guadalajara Film Festival, and the Buenos Aires International Festival of Independent Cinema, garnering attention for its compelling narrative and engaging performances. The film’s ability to capture the essence of a pivotal moment in Spanish music history while weaving in the universal struggles of artistic ambition makes it a resonant and timely piece of filmmaking.
Lacuesta, a seasoned director known for his previous works such as The Next Skin (2016), Between Two Waters (2018), and One Year, One Night (2022), once again demonstrates his keen ability to explore human relationships and the complexities of personal identity. Rodríguez, who directed Quatretondeta (2016), brings his own unique perspective to the film, blending intimate character studies with the high-energy world of music. Saturn Return’s release in Spain in May 2024 marks a new chapter for both directors, reinforcing their reputation for crafting thought-provoking and emotionally rich narratives. Through Saturn Return, they invite audiences to reflect on the inevitability of change, the passage of time, and the importance of staying true to one’s artistic vision despite the personal and professional obstacles that arise.
Directed by Isaki Lacuesta and Pol Rodríguez, Saturn Return made a striking debut at the Malaga Film Festival, where it won multiple accolades, including Best Director, Best Editing, and Best Spanish Film. These honors solidified its place as a standout entry in Spanish cinema. The film has continued its festival journey, screening at prestigious events like the Seattle Film Festival, the Guadalajara Film Festival, and the Buenos Aires International Festival of Independent Cinema, garnering attention for its compelling narrative and engaging performances. The film’s ability to capture the essence of a pivotal moment in Spanish music history while weaving in the universal struggles of artistic ambition makes it a resonant and timely piece of filmmaking.
Lacuesta, a seasoned director known for his previous works such as The Next Skin (2016), Between Two Waters (2018), and One Year, One Night (2022), once again demonstrates his keen ability to explore human relationships and the complexities of personal identity. Rodríguez, who directed Quatretondeta (2016), brings his own unique perspective to the film, blending intimate character studies with the high-energy world of music. Saturn Return’s release in Spain in May 2024 marks a new chapter for both directors, reinforcing their reputation for crafting thought-provoking and emotionally rich narratives. Through Saturn Return, they invite audiences to reflect on the inevitability of change, the passage of time, and the importance of staying true to one’s artistic vision despite the personal and professional obstacles that arise.
SUJO (MEXICO)
Sujo is a powerful narrative that follows the tragic and inevitable life of a young boy, Sujo, who is left behind after his father, a cartel gunman, is killed. Growing up in the harsh, isolated Mexican countryside, Sujo’s life is continuously shadowed by violence, a legacy left by his father’s dangerous world. As he matures, he struggles with the weight of his inheritance, as the trauma of his past and the expectations of those around him converge. The film paints a haunting portrait of a man caught in the grips of fate, unable to escape the destiny set for him by his father’s violent lifestyle. The cinematography captures the stark and unforgiving landscape, reflecting Sujo’s internal conflict as he grapples with his identity and the choices he must make.
This film marks the second feature from directors Astrid Rondero and Fernanda Valadez, who garnered international acclaim for their debut film Identifying Features, which won the 2020 Sundance World Cinema Dramatic Audience Award and a special jury award for Best Screenplay. With Sujo, the duo expands on their exploration of life in contemporary Mexico, focusing on the cyclical nature of violence and its effects on future generations. The film made its worldwide debut at Sundance 2024, where it won the prestigious World Cinema Grand Jury Prize for Drama, cementing its place as a standout entry in world cinema. The directors’ nuanced storytelling and keen understanding of character development give the film an emotional depth that resonates with audiences, drawing attention to the broader social issues that fuel the violence in Sujo’s world.
Following its success at Sundance, Sujo was showcased at the San Sebastián Film Festival’s Horizontes Latinos section and has gone on to be featured in numerous other international film festivals, building a global presence. The film is represented worldwide by Alpha Violet, ensuring that its compelling narrative reaches an even wider audience. As Rondero and Valadez continue to establish themselves as influential filmmakers, Sujo stands as a testament to their talent for blending personal stories with social commentary, using cinema to shed light on the complexities of life in a violent and divided world. Through Sujo’s journey, the directors explore themes of inherited violence, the struggle for agency, and the heartbreaking question of whether one can escape the shadow of their past.
This film marks the second feature from directors Astrid Rondero and Fernanda Valadez, who garnered international acclaim for their debut film Identifying Features, which won the 2020 Sundance World Cinema Dramatic Audience Award and a special jury award for Best Screenplay. With Sujo, the duo expands on their exploration of life in contemporary Mexico, focusing on the cyclical nature of violence and its effects on future generations. The film made its worldwide debut at Sundance 2024, where it won the prestigious World Cinema Grand Jury Prize for Drama, cementing its place as a standout entry in world cinema. The directors’ nuanced storytelling and keen understanding of character development give the film an emotional depth that resonates with audiences, drawing attention to the broader social issues that fuel the violence in Sujo’s world.
Following its success at Sundance, Sujo was showcased at the San Sebastián Film Festival’s Horizontes Latinos section and has gone on to be featured in numerous other international film festivals, building a global presence. The film is represented worldwide by Alpha Violet, ensuring that its compelling narrative reaches an even wider audience. As Rondero and Valadez continue to establish themselves as influential filmmakers, Sujo stands as a testament to their talent for blending personal stories with social commentary, using cinema to shed light on the complexities of life in a violent and divided world. Through Sujo’s journey, the directors explore themes of inherited violence, the struggle for agency, and the heartbreaking question of whether one can escape the shadow of their past.
THREE KILOMETRES TO THE END OF THE WORLD (ROMANIA)
Three Kilometres to the End of the World is a poignant and atmospheric film that follows the story of Adi, a young man spending his summer in his quiet home village by the Danube Delta. One fateful night, Adi is violently attacked on the street, an incident that shakes his world to its core. The next day, he discovers that the consequences of the attack are far-reaching—his relationship with his parents shifts dramatically, and the peaceful facade of village life begins to unravel. As the attack's impact reverberates through his personal and family life, Adi must confront the harsh realities of his environment, where secrets and unresolved tensions come to the surface. The tranquil village, once a symbol of safety, is suddenly a place filled with cracks, both literal and metaphorical.
The film is directed by Emmanuel Pârvu, a seasoned actor making his third feature behind the camera. Pârvu's direction is known for its sensitive portrayal of complex emotions, and Three Kilometres to the End of the World continues that tradition. The film features strong performances from an ensemble cast, including Bogdan Dumitrache, Laura Vasiliu, and Ciprian Chiujdea, who bring the story's emotional depth and raw humanity to life. Pârvu weaves a narrative that explores themes of trauma, alienation, and the impact of violence on individuals and communities. The film's slow-burn pace allows the tension to build gradually, reflecting the internal and external disintegration that Adi experiences as the seemingly idyllic world he knows falls apart.
Three Kilometres to the End of the World made its worldwide debut at the prestigious Cannes Film Festival, where it received critical acclaim and won the Queer Palm, a special prize for films that address LGBTQ+ themes in a unique and impactful way. The film’s success at Cannes helped solidify Pârvu's reputation as a director who is capable of creating emotionally complex and thought-provoking cinema. Since its debut, the film has gained significant attention for its nuanced storytelling and powerful performances, garnering an enthusiastic reception at film festivals worldwide. Through Adi’s journey, Three Kilometres to the End of the World explores the deep psychological and social effects of violence and the struggle for identity in a world where personal and societal boundaries are constantly being tested.
The film is directed by Emmanuel Pârvu, a seasoned actor making his third feature behind the camera. Pârvu's direction is known for its sensitive portrayal of complex emotions, and Three Kilometres to the End of the World continues that tradition. The film features strong performances from an ensemble cast, including Bogdan Dumitrache, Laura Vasiliu, and Ciprian Chiujdea, who bring the story's emotional depth and raw humanity to life. Pârvu weaves a narrative that explores themes of trauma, alienation, and the impact of violence on individuals and communities. The film's slow-burn pace allows the tension to build gradually, reflecting the internal and external disintegration that Adi experiences as the seemingly idyllic world he knows falls apart.
Three Kilometres to the End of the World made its worldwide debut at the prestigious Cannes Film Festival, where it received critical acclaim and won the Queer Palm, a special prize for films that address LGBTQ+ themes in a unique and impactful way. The film’s success at Cannes helped solidify Pârvu's reputation as a director who is capable of creating emotionally complex and thought-provoking cinema. Since its debut, the film has gained significant attention for its nuanced storytelling and powerful performances, garnering an enthusiastic reception at film festivals worldwide. Through Adi’s journey, Three Kilometres to the End of the World explores the deep psychological and social effects of violence and the struggle for identity in a world where personal and societal boundaries are constantly being tested.
UNDER THE VOLCANO (POLAND)
Under the Volcano tells the story of a Ukrainian family of four who are spending the final day of their vacation on the idyllic island of Tenerife. In a moment of serene normalcy, they remain unaware that their lives are about to be irrevocably changed. The next day, their return flight to Kyiv will be canceled, and the peaceful vacation will be shattered as the looming horrors of war begin to unfold. The sudden and brutal shift from tranquility to crisis serves as a sharp commentary on the unpredictable nature of geopolitical conflict and its devastating impact on individuals and families. The film focuses on the quiet moments before disaster strikes, highlighting the tension between the everyday beauty of life and the unseen forces that shape history.
This film marks the follow-up to director Damian Kocur’s debut Bread and Salt, continuing his exploration of human relationships in the face of adversity. The screenplay for Under the Volcano was written by Kocur alongside Marta Konarzewska, and it combines personal drama with a broader political context. By placing the family at the heart of an international crisis, the filmmakers examine the fragile nature of peace and the disorienting experience of watching a life that seemed certain unravel in an instant. The narrative deftly juxtaposes the warmth and comfort of family life against the impending trauma of war, highlighting the tension and emotional strain that such a dramatic shift creates for its characters.
Under the Volcano premiered at the prestigious Toronto Film Festival in September 2024, garnering attention for its poignant storytelling and emotional depth. It later screened at the Polish Films in Gdynia, where it further solidified its reputation as a compelling new work in international cinema. The film has already captured the interest of global distributors, with Salaud Morisset acquiring its international distribution rights in August 2024. With its timely subject matter and sensitive portrayal of a family caught in the early days of conflict, Under the Volcano resonates deeply with audiences, offering a personal and intimate perspective on a crisis that has touched millions.
This film marks the follow-up to director Damian Kocur’s debut Bread and Salt, continuing his exploration of human relationships in the face of adversity. The screenplay for Under the Volcano was written by Kocur alongside Marta Konarzewska, and it combines personal drama with a broader political context. By placing the family at the heart of an international crisis, the filmmakers examine the fragile nature of peace and the disorienting experience of watching a life that seemed certain unravel in an instant. The narrative deftly juxtaposes the warmth and comfort of family life against the impending trauma of war, highlighting the tension and emotional strain that such a dramatic shift creates for its characters.
Under the Volcano premiered at the prestigious Toronto Film Festival in September 2024, garnering attention for its poignant storytelling and emotional depth. It later screened at the Polish Films in Gdynia, where it further solidified its reputation as a compelling new work in international cinema. The film has already captured the interest of global distributors, with Salaud Morisset acquiring its international distribution rights in August 2024. With its timely subject matter and sensitive portrayal of a family caught in the early days of conflict, Under the Volcano resonates deeply with audiences, offering a personal and intimate perspective on a crisis that has touched millions.